Télécharger Ebook Modern- Painting and Sculptures, by John Elderfield
Télécharger Ebook Modern- Painting and Sculptures, by John Elderfield
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Modern- Painting and Sculptures, by John Elderfield
Télécharger Ebook Modern- Painting and Sculptures, by John Elderfield
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Détails sur le produit
Relié: 536 pages
Editeur : Museum of Modern Art; Édition : 01 (14 septembre 2005)
Langue : Anglais
ISBN-10: 0870705768
ISBN-13: 978-0870705762
Dimensions du produit:
24,8 x 5,1 x 30,5 cm
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There aren't a lot of books out there that cover 20th century sculpture, so I thought I'd give this book a try. It covers most of the influential artists of the last century, and the paintings are a bonus, as they help to illustrate the major trends of the period and provide context for the sculpture. This is a big book--well over 700 pages, in an oversize format. Lots of color illustrations on heavy paper. The best feature was the price--I think I paid less than $10. This book has given me hours of enjoyment, so it was worth every penny.
As part of MoMA's 75th Anniversary, this volume presents the very best of the Painting & Sculpture Department. The organization of this volume is quite different from most other art texts - the collection is broken into six eras, and further divided by the major artistic movements which define and represent it. A visual of each work discussed is presented separate from, and after, the descriptive text. This may or may not be helpful to all - those who like to read about and see art at the same time will not approve of this organization. Those who wish only to see the collection might appreciate the ability to view clear and vivid images grouped together. This "image only" crowd may also enjoy the juxtaposition of seeing Edward Hopper, Jacob Lawrence and Diego Rivera on successive pages - the entire book is full of these sequences of artists and movements.I will say I was surprised to learn the descriptive texts were actually reprints from previous MoMA exhibitions. Although I was briefly confused, and slightly disappointed by this, I can say that the statements selected were excellent choices. For example, an anecdotal essay about a piece by Balthus reveals the reasoning for the artist's decision to alter the painting.This book speaks volumes for MoMA's Painting & Sculpture Department, but by no means could it even come close to defining the entire collection. What I can say is that I get a very good sense, or a rough outline, as to what it means to view the collection. Despite my overall admiration for this book, I feel it could have done a better job presenting sculpture. Either this book does not depict as many pieces as possible, or sculptural pieces within the collection lack diversity; it appeared that most sculptural works were discussed in the final two sections (eras) of the book. I have no complaints otherwise and consider this book a quality piece and gain particular insight and understand from being able to see some familiar, and not so familiar, works placed side by side for the first time.Just a note, the copy I own has a little insert admitting "Errata," although I doubt this book will see more than one hardback printing, see if your copy acknowledges errors on p. 328 and p. 441.
The extensive review by 'Spikey" is a most complete evaluation; so I will add only a little more:I downrated this excellent book for the following reason: Unless one is writing a doctoral thesis on the 'day by day' and 'item by item' development of the rebult MOMA, he/she does not need 61 pages of detail. Perhaps this could have been published in a $1.00 (!) paperback; or condensed into half that amount of pages (and heavy coated paper at that!)I differ with the previous reviewer in his/her unhappiness with the comment/evaluation of each displayed item: I have never seen another 'art/picture' book whose comments were other than the author/editor's. So reading someone else's comments on the work involved (even though reproduced from previous presentations) is unusual and valuable. Also many of us have not been able to see those previous exhibitions and do not have the associated brochures.The comment on the lack of many scuptures is discussed in the book: Most are too large to be photographed.By all means, buy the book -- especially to see (unless you live in the NY area) what has been accomplished by rebuilding the MOMA, and the more extensive art now able to be displayed.
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